Visual Strolls

seasonal residency

Visual Strolls is a residency space for artists who share an affinity for landscapes and wilderness, inner and outer. Foresta is changing with every season as the real forest does. In cyclical circularity it celebrates changing seasons of nature and of our lives. As snow melts away, as days grow longer, as leaves change colour, as they fly with the wind, as stillness settles in, as warmth returns, as birds cross continents — at the turn of each seasonal moment we invite a different artist to bring a new time of the year by creating a portrait of time that later becomes part of the permanent Museum of Seasons.

 

Spring 2022 Artist in Residence

Charlotte Peys

Charlotte lives and works in Ghent (Belgium) but will move to Belzele this spring. She considers drawing to be a relational and performative affair. It is a drawing of lines, making underlying connections visible, unfolding spaces and places. She is interested in drawing lines between human and nonhuman, between what was and what is, between fact and fiction, between living beings and their inner and outer environment and searches for the most appropriate form to make a sharing interchange possible. This year at the Seasonal Academy Charlotte is part of the co-creators team for the Spring trail Crafting Futures.

Spring Portrait 2022

 
The trees made the past seem within reach in a way nothing else could: here were living things that had been planted and tended by a living being who was gone, but the trees that had been alive in her lifetime were in ours and might be after we were gone. They changed the shape of time.
There’s an Etruscan word, saeculum, that describes the span of time lived by the oldest person present, sometimes calculated to be about a hundred years. In a looser sense, the word means the expanse of time during which something is in living memory. Every event has its saeculum, and then its sunset when the last person who fought in the Spanish Civil War or the last person who saw the last passenger pigeon is gone. To us, trees seemed to offer another kind of saeculum, a longer time scale and deeper continuity, giving shelter from our ephemerality the way that a tree might offer literal shelter under its boughs.
— Rebecca Solnit - Orwell's Roses
 
 
Being but men, we walked into the trees
Afraid, letting our syllables be soft
For fear of waking the rooks,
For fear of coming
Noiselessly into a world of wings and cries.

If we were children we might climb,
Catch the rooks sleeping, and break no twig,
And, after the soft ascent,
Thrust out our heads above the branches
To wonder at the unfailing stars.

Out of confusion, as the way is,
And the wonder, that man knows,
Out of the chaos would come bliss.

That, then, is loveliness, we said,
Children in wonder watching the stars,
Is the aim and the end.

Being but men, we walked into the trees.
— Dylan Thomas
 
 
 


About Visual Strolls

Visual Strolls is not only an online gallery, an exhibition room, a portrait into the work of the invited artist. It is also a part of our long-term research, understanding arts and creativity as forces that change human states of attention in manifold ways, as forms of cognition and perception, divergent perspectives and poetry of vision, access to intuition and imagination, and empowerment for conscious creation of culture. You can read more about Art into Life research here.

 

Cover image: Charlotte Peys